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Uchiyama is reported as getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in concept. Japanese books are packed with slitting to achieve ears or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to provide enough points for the thighs. Rohm folded his Circus pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the Dessin D'un Avion En Papier other to avoid the complexities of a model achieved only by folding.


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Within a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling That is now usual in animal folds to call for a final modelling particularly when foil has recently been used and one can make certain of the materials remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modeling following the folding The technique of wetting the paper seems to be Japanese in origin was demonstrated Origami Easy Step By Step by Yoshizawa at a Convention in Luton. Another method of moist moulding using paste in the preparation is talked about by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The folds tend to be gentle and are approaching figurine rather than Origami.


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Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.

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By this I mean that we will no longer have a closed system typical of Origami where a procedure exists to
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create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.


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Kent du Pre has done such focus on Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have made an appearance occasionally, nevertheless the most extreme form occurs in Paper Miracle with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course carefully related to paper cutting. In its simplest form cuts are made prior to folding Origami Star Ornament in a symmetric and planned way which will 'open up' the material available without the need for excessive density. The most recent mention of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.

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The associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the sheets of paper are folded together but usually opened at the end to show the multi-layers usually Origami Instructions For Beginners with different shades. In flower folding and possible doll-making the multi-layer strategy is exploited for its own sake with little or no folding included. Multi-Part Isao Honda (15) was probably the first to create techniques involving 2 separate sheets of paper each folded to symbolize some part of the pet and then brought with each other. The theory may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have made an appearance for folding a monster from a quantity of squares of different sizes.


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In the most extreme Faire Un Avion En Papier Tuto combos of water and paper we are, of course , in the world of papier-mache which is obviously an open-ended art. DecoratingThe easiest step from your single colour is one side female and one white or plain. A great deal of modern Origami exploits this colour difference. The delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of

decoration occurs in Japanese papers which are already printed with a design ideal for an exclusive model. The end of this process is evidently the decoration of the last model and so into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then bow and finally string.




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The cutting out of holes and so forth. to indicate eyes etc is sometimes found in Japanese books and we are obviously dealing with a technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda Fabriquer Un Bateau Pirate En Papier Maché has called this kind of paper-craft Mon-Kiri (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and obviously here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its simplest form we might use glue, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or cards. One of the most unusual form of 'display mechanics' that I am knowledgeable about is by Toyoaki Kawai.